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| Title | Artist | Date | Media | ||
|---|---|---|---|---|---|
|
Telemachus
|
Areez Katki
|
2021
|
Cotton thread embroidery on muslin handkerchief. Framed
|
|
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I Made my own Teeth
|
Shannon Te Ao
|
2013
|
Digital inkjet prints
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|
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MADE YOU LOOK
|
Elizabeth Pointon
|
2020
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Illuminated LED sign
|
|
|
BIG DEAL
|
Elizabeth Pointon
|
2020
|
Illuminated LED sign
|
|
|
The Appearance of Red Tracks No. 2
|
Robert Thompson
|
1984
|
Acrylic on paper
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Loaded Palm
|
Ben Cauchi
|
2002
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gold-toned, gelatin chloride, contact photographic print
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Nga Tuupuna o te whenua
|
Selwyn Muru
|
Circa 1990
|
5 colour lithograph
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Adelaide 11
|
McNabb
|
1986
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Sepia mono print
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A Crown for the Kermadec King 1
|
Gregory O'Brien
|
2011
|
intaglio etching with colour roll
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I.K.O.D.I.S.
|
Peter Gouge
|
2015
|
Oil, oil stick and encaustic on plywood
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Break 1
|
Rebecca Hasselman
|
2017
|
Oil on sized linen
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OUTSTANDING
|
Elizabeth Pointon
|
2020
|
Illuminated LED sign
|
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Squaring Things Flat
|
Tom Mackie
|
2019
|
Jute and artists frame
|
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Yellow monochrome
|
Kathy Barry
|
2015
|
Watercolour and pencil on paper
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Beyond the ash cloud (bitten by the sea)
|
Ana Iti
|
2019
|
ink, paper
|
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Emerge
|
Maria Colls
|
2016
|
Cut paper
|
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Elvis Sighting 1, Cuba St
|
Allan McDonald
|
2013
|
C-type photograph
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Tsuchigumo (Kabuki Series)
|
Reiko Elliott
|
Circa 1990-Circa 1996
|
Screen print, A.P (artist's prrof)
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Transmission
|
Adrienne Millwood
|
2018
|
Photographic print
|
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Vicious Circles
|
Kirsty Lillico
|
2017
|
Cotton, pine dowel, stainless steel cable
|