|
Title |
Artist |
Date |
Media |
|
|
Antarctic platelet study 01
|
Gabby O'Connor
|
2016
|
Inkjet print on Archival Galerie paper
|
|
|
Untitled #6
|
Hendrix Hennessy-Ropiha
|
May 2022
|
Digital print on photorag
|
|
|
Wake, site of the Wahine sinking, Seatoun, Wellington
|
Ann Shelton
|
2008
|
photograph diptych, c-type
|
|
|
Wilhelmina Bay, Antarctica
|
Anne Noble
|
2003
|
piezo pigment on archival paper
|
|
|
Willis Street
|
Peter McIntyre
|
1960
|
Oil on canvas
|
|
|
Non-Site
|
Kate Woods
|
2009
|
C type photograph
|
|
|
Untitled #4
|
Hendrix Hennessy-Ropiha
|
2022
|
Digital print on photorag
|
|
|
Seascape #122, blue/blue, The Gap, Vaucluse, Sydney, Australia, 2018. Edition of 5 + AP
|
Harry Culy
|
2018
|
archival pigment print, hand made frame with art glass
|
|
|
Sea and Landscape No. 6
|
Keith Levy
|
1979
|
Watercolour
|
|
|
Sea and Landscape no.12
|
Keith Levy
|
1979
|
Watercolour
|
|
|
The Firth of Forth
|
J. Mitchell
|
1911
|
Oil on canvas
aged varnish evident
|
|
![[untitled]](https://cityart.wcc.govt.nz/records/images/nano/81/b285915bf91b3e671ba7f56338bb24da47608519.jpg)
|
[untitled]
|
Stephen Estall
|
1988
|
Cibachrome glossy colour photographic print
|
|
|
Plimmerton in Storm
|
Sylvia Lovell
|
|
Watercolour on paper
Frame, varnished wood.
|
|
|
Print of: Louis Le Breton, Port Otago 1840
|
|
|
Colour reproduction of original
|
|
|
Wellington Boat Harbour and Wharves 1920
|
Robert Moore
|
1920
|
bromide photographic print
|
|
|
Antarctica (11) (Discovery Museum, Dundee)
|
Anne Noble
|
2003
|
piezo pigment on archival paper
|
|
|
Nineteen Ninety Three
|
Shane Cotton
|
1993
|
Oil on wood panel
|
|
![[Romantic Landscape with Two Figures]](https://cityart.wcc.govt.nz/records/images/nano/475/3ae8d36181b228cae13676cf52b2748ddf2237b2.jpg)
|
[Romantic Landscape with Two Figures]
|
Sidney Percy
|
1844
|
Oil on canvas
|
|
|
Pacific Frigate Bird
|
Don Binney
|
1969
|
Silk screenprint (paper) in 4 colours
|
|
|
Taputeranga Island
|
Andrew Ross
|
11 Jan 1998
|
silver gelatin print
|
|
