|
Title |
Artist |
Date |
Media |
|
|
Antarctic platelet study 01
|
Gabby O'Connor
|
2016
|
Inkjet print on Archival Galerie paper
|
|
|
Wake, site of the Wahine sinking, Seatoun, Wellington
|
Ann Shelton
|
2008
|
photograph diptych, c-type
|
|
|
Non-Site
|
Kate Woods
|
2009
|
C type photograph
|
|
|
Wilhelmina Bay, Antarctica
|
Anne Noble
|
2003
|
piezo pigment on archival paper
|
|
|
Seascape #122, blue/blue, The Gap, Vaucluse, Sydney, Australia, 2018. Edition of 5 + AP
|
|
2018
|
archival pigment print, hand made frame with art glass
|
|
|
Sea and Landscape No. 6
|
Keith Levy
|
1979
|
Watercolour
|
|
|
Sea and Landscape no.12
|
Keith Levy
|
1979
|
Watercolour
|
|
|
Displacement: 13 Visual Complaints
|
|
2009-2019
|
Photograph
|
|
|
A mountain that doesn't move
|
|
2019
|
Digital photograph
|
|
|
Billy, Cyhlus and Pikopiko
|
|
2019
|
Digital photograph
|
|
|
Three-day moon
|
Sakura Shibata
|
2019
|
Archival inkjet print
|
|
|
Three-day moon II
|
Sakura Shibata
|
2019
|
Archival inkjet print
|
|
|
Phenomenon #34
|
Angela Lane
|
2020
|
Oil on wood
|
|
|
The Firth of Forth
|
J. Mitchell
|
1911
|
Oil on canvas
aged varnish evident
|
|
|
[untitled]
|
Stephen Estall
|
1988
|
Cibachrome glossy colour photographic print
|
|
|
Plimmerton in Storm
|
Sylvia Lovell
|
|
Watercolour on paper
Frame, varnished wood.
|
|
|
Print of: Louis Le Breton, Port Otago 1840
|
|
|
Colour reproduction of original
|
|
|
Central Otago 2
|
Faye Hill
|
1972
|
Oill on compacted chipboard
|
|
|
Wellington Boat Harbour and Wharves 1920
|
Robert Moore
|
1920
|
bromide photographic print
|
|
|
Lake Wanaka, Otago
|
LW Wilson
|
1898
|
watercolour
|
|