|
Title |
Artist |
Date |
Media |
|
|
Beyond the ash cloud (bitten by the sea)
|
|
2019
|
ink, paper
|
|
|
Beyond the ash cloud (be huge)
|
|
2019
|
Ink, paper
|
|
|
Twiging 3
|
Ben Buchanan
|
2021
|
Flashe and acrylic paint on paper
|
|
|
Time
|
Miles Hendricks
|
2020
|
Watercolour pastel, wool fabric
|
|
|
God Save the Queen: the Celebration of the Diamond Jubilee
|
UNKNOWN
|
01 Jan 1900
|
Lithograph
|
|
|
Wellington Wharves in the 1930's
|
William Raine
|
Circa 1930s
|
b/w photograph
|
|
|
Lithograph of 'View of Nelsons Haven, in Tasman's Gulf, by Charles Heaphy' 1841
|
Charles Hullmandel
|
1842
|
Handcoloured lithograph
|
|
|
The hungry sheep looks up
|
Barry Cleavin
|
1986
|
Etching, mezzotint, 2 plate embossing.
|
|
|
Exploring new territory
|
Elizabeth Thomson
|
1986
|
photo-etching, aquatint, mezzotint
|
|
|
Tsuchigumo (Kabuki Series)
|
Reiko Elliott
|
Circa 1990-Circa 1996
|
Screen print, A.P (artist's prrof)
|
|
|
Map of Wellington and environs
|
|
1915
|
Printed on paper, colour tinted
|
|
|
Scrimshaw
|
Fiona Hall
|
2011
|
Etching
|
|
|
Object Study 1
|
Eve Armstrong
|
2013
|
Ceramic tile, paper, colour photographs, wood
|
|
|
The Alchemical Allotments 3
|
Graham Percy
|
2005
|
Acrylic, pencil and ink on paper
|
|
|
for Monkey, pee and the mask
|
Richard Reddaway
|
2016
|
photograph
|
|
|
Newtown Sandwich
|
Erica van Zon
|
2017
|
Glass beads on cotton
|
|
|
Untitled (airbrush, cut metal)
|
Sonya Lacey
|
2012
|
Airbrush acrylic on paper, between sheets of glass, framed with MFD
|
|
|
Emerge
|
Maria Colls
|
2016
|
Cut paper
|
|
